In addition to demonstrating a productive environment for maintaining XSLT transforms (or stylesheets), this application illustrates:ġ) A practical application of the XSLT features Tom Aldous described in his recent 5-part series of presentations on XSLT in FrameMakerĢ) How useful FrameMaker 11 can be for producing XMLģ) A situation in which there is more information in a FrameMaker structured document than the corresponding XML Furthermore, existing XSLT code can be brought into this environment by opening it using an application that converts XSLT to the editing structure. Once a document is complete, the user saves it as XML using an application that uses XSLT itself to change from the editing structure into actual XSLT code. Color is used to visually identify matching parentheses and help prevent some syntax errors. Index markers can be used to generate an index into the code.ģ) Elements in the structured document spare the user the need to remember details of XSLT syntax such as the names of the different axes and the order of the arguments to various functions. Adobe robohelp 10 price update#To change a name therefore, a user need only change the typed occurrence and update cross-references there is no need to search for all the individual occurrence.Ģ) The user can navigate through multiple files with generated lists of elements such as named templates and calls to those templates. Features of this editing structure include:ġ) Names of various constructs (variables, templates, modes, and so forth) can be entered once and referenced multiple times as cross-references. While the document window appears to show actual XSLT code, the structure of the edited document is an easily-understood variation of that used in the final XML output. This webinar describes a structured FrameMaker application for editing XSLT. Topic: Maintaining XSLT code as a structured FrameMaker document I highly recommend attending these eSeminars.
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“The songs are very different to Black Box Recorder,” she enthuses. While in hibernation she’s been penning her own material. “I had all these messages on my website asking where I’d been, saying that I’d not been around for ages, saying I’d been a real dark horse – which I quite like,” offers Sarah. Yet through all the racket, Sarah’s distinctive, cut-glass tones are precise and recorded in their entirety. My new fangled digital recording device picks up the sound of people drinking, talking and scraping chairs about, but doesn’t pick up my questions at all. To discover this I meet Sarah in the salubrious surrounds of The Kilburn pub, prior to her first solo London show, upstairs at the Luminaire. Half a decade later, Nixey is emerging from the creative chrysalis of Black Box Recorder as a fully fledged solo artist. On vocals, whispering about pubescent boys and girls in relationship dramas was a quintessential English waif – Sarah Nixey. #WHISPERINGS PIANO SOLO SERIAL#Right up there with them was the incongruous manifestation, in 2000, of misanthropic Auteurs lynchpin Luke Haines, a serial nearly-hit wonder, and sometime Jesus & Mary Chain member and absinthe importer John Moore, in the Top 20 as Black Box Recorder with a little ditty about the birds and the bees called The Facts Of Life. Nirvana‘s Kurt Cobain blatantly miming Smells Like Teen Spirit All About Eve‘s technical difficulties Chaka Khan‘s big black bird costume. Top of the Pops has, down the years, produced many a memorable sight. Cause the moment you dive the backline everyone is going to be focused on you and this is going to be needed to get your ult off. The stasis from this is long enough after casting your ult to get your ult to land without dying. Zhonya's Hourglass - If you are running Rocketbelt or any of these items and you want to dive the backline you are most definitely going to need this. I enjoy this item cause it fits my playstyle of how I play diana but everyone is different so pick and chose how you wish to play Diana. This will be mostly used to try to do a FRONT to BACK type of fight as you give up a little bit of burst for more sustain fighting. The AP, HP Ability haste and Omnivamp make it a good choice when VSing much more beefier teams. Riftmaker - This item is when VSing a tanky team, Constant true damage once fully stacked. These are other offensive items you can build as Diana depending on how their team is building. With this your burst damage is pretty high. The amount of Ap you get from this item is huge. This is a must on Diana with or without Lich Bane. Rabadon's Deathcap - This item as all Ap casters know is extremely good on Ap units especially Diana. You want the sustainability first and some AP before building this. Do Not build this first under any circumstance. If they do live they will be extremely low and another auto-attack will kill them. Lich Bane - This is a very essential item on Diana the burst you put out as Diana with this item is very large any squishy target will die if you hit them with your Q, R and auto attack. Stack this with your Moonsilver Blade and Lich Bane and you have a very high burst damage on someone squishy. This item is nice because it allows you to get to your cleave faster adds 15% of your ap on every attack. Nashor's Tooth - Attack speed, Ap, CDR and adds 15% of your ap to each attack. If not it is a great item you can tank with as diana as she won't die immediately when she enters the fight. This item works great especially if the enemy team has anyone that does true damage. Rylai's Crystal Scepter - This item is great for sustain gives you Hp, Ap and a slow. These items can be swapped / replaced to fit your play-style as jungle Diana The Secondary Runes can all be switched out for Resolve or Inspiration if you feel it is needed Vsing specific enemy team comps and you feel those secondary runes are more valueable at the current time. (Eyeball Collector and Relentless Hunter). (Conqueror, Triumph, Alacrity and Coup De Grace)ĭomination - For added movement speed for better ganks and some scalling with eyeball collector. Precision - Run these runes if the enemy team has 2 or more tanks/bruisers (or a combo of both) and supports that give shielding, healing or both. Precision - For added attack speed and damage. (Electrocute, Sudden Impact, Eyeball collector and relentless hunter) This will also help even if they have a support with heavy CC. Good for quickly picking off high priority targets. With so many games in our data, we are confident in our recommended builds.Here are different rune set-ups you can run, depending on the enemy team composition.ĭomination - If the enemy comp is lots of squishy with only 1 tank and/or a bruiser. We only advise the highest winrate Diana builds that have been used by ranked players enough times for us to advise them. We calculated our Diana build suggestions by examining 82,760 recently ranked LoL games with her in them. In recent games, she won the largest number of her matches when equipped with these runes. Likewise, if you are trying to beat a mixed enemy team arrangement, you should strongly consider getting yourself the Inspiration, and Domination runes. Those who included these pieces in their kits had a much higher winrate than players who worked towards other builds for Diana. The best items to use in your champ's build include: Riftmaker, Rabadon's Deathcap, and Nashor's Tooth. You will notice that her build is modified when she is fighting either diversified or homogenous team compositions, demonstrating you should not take the same Diana build every single round of League of Legends LoL Diana players could find her to be a confusing champion to build out properly. 'Disguise? Why on earth would you need a disguise to go to a go salon?' Why couldn't makeup brushes be like her paint brushes? At least that was a language that she understood. What this for eye shadow? Well it was now. "Which is what makes this a perfect disguise!" She said, grabbing a random brush thing from the container. "But Hikaru, you and many women in this time go out without make up everyday." Goban salon how to#"You're the one who wanted to go out to a go salon! I wouldn't have had to put this stuff on if you stopped bugging me about it." She said, trying to figure out how to open her mother's eye shadow palette. Even though he had zero knowledge of the beauty standards for today, he could tell that Hikaru had no idea what she was doing. 'I don't see how this is my fault, Hikaru.' Sai said, concealing his giggles behind his large sleeves. "Will you shut up already? I'm doing this for you, you know?" She growled, wiping off and smearing the red blush with a napkin. Sai laughing at her in the background was not helpful in the slightest. She now remembered why she hated make-up. The thirteen year old coughed harshly as she accidentally inhaled the large puff of powder, cursing to the heavens as it got into her mouth and all over the badly applied lipstick. There was nothing that she couldn't do with a brush in hand. Hikaru had never felt more happy than when she was holding a brush, paint splattered on her smock and on the canvas below. By the time she was ten, she had been considered an art prodigy by many of her teachers and her father's friends. Her mother, seeing her daughter's talent, wasted no time in acquiring tutors and teachers to help her grow and nourish her skills. It was them that she decided that she would she too would create her own worlds. A world of possibilities was in front of her, waiting for her to create on the blank canvas. Each piece, whether it be a doodle or a life size sculpture, contained a piece of the artist's soul, mind and body. Goban salon full#Art was a living this, full or life and emotions just like the people who created them. Ever since she could remember, art had surrounded her family in more than just the paintings they bought.Įvery painting had a story, her mother always told her as she helped her move the brush around the canvas. It was hard not to with an art teacher for a mother and an art appraiser for a father. Shindo Hikaru had been drawing since she could hold a pencil. |
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